Architecture Design - Planning - Interior Design

Architecture Design - Planning - Interior Design. Architectural Concepts Inc. located in San Diego offers Architecture Design, Interior Design, Master Planning and Site Planning, Programming, Commercial Design, Building Design, Brand Identity Development, Hospitality Purchasing, Resort and Hotel Architecture.
Our Architects and designers are dedicated and experienced in all aspects of Hospitality Design and Program Development. Our full service design firm offers inspiring concepts utilizing our "Consumer Concentric Design" process to provide market driven solutions for a seamless experience with all projects including Interior architecture, landscape planning, architecture renovation and interior remodeling and renovations.
From dream to final construction, Architectural Concepts Inc. focuses on satisfying the goals of our clients by bringing marketable architecture and interior designs to life. Our qualified Architects and professional designers who create the most inviting and trend setting architecture and building designs in the industry. View Architecture Design Gallery
Services provided by Architectural Concepts Inc. include:
Architecture Design, Program Development, Planning, Site Analysis and Entitlement Research, Government Processing, Project Management, GREEN Design, Construction Administration and Post Building Services.
Interior Design, Interior Architecture, Space Planning, Custom FF&E Design, Sales Center Design, Spa, Restaurant and Retail Design.
FF&E (Furniture, Fixtures and Equipment) Sourcing, Purchasing, Installation and Logistics World Wide.
Brand Identity Development, Workshop Facilitators, 3D Models, Hand Graphics, Sales and Marketing Graphics.
Coordination Services: Structural, Mechanical, Plumbing, Electrical, Lighting Design, Landscape Architecture, Food Service Design, Signage and Graphics Design.
CHECK OUT ISLAND EMPRESS RESORT PROJECT: Island Empress Resort Tour

Architectural Concepts Inc. is your #1 source in architecture and interior design. ...for Complete here.

Aan Oebit – Direktur Saka Architecture, Interior Design & Build

Aan Oebit – Direktur Saka Architecture, Interior Design & Build. Menggeluti dunia usaha arsitektur harus jeli melihat tren yang sedang berkembang. Manajemen waktu dan kepandaian menghadapi karakteristik customer merupakan salah satu tantangan tersendiri. Kepuasaan customer terhadap produk dan layanan yang dihasilkan secara otomatis akan meningkatkan kapabilitas perusahaan yang dikelola.
Inilah pedoman seorang Aan Oebit yang telah lebih dari sepuluh tahun berkecimpung di dunia usaha arsitektur, desain interior dan bangunan. Dengan membawa nama SAKA, perusahaan yang dipimpinnya telah banyak menghasilkan proyek-proyek luar biasa. Hotel, resto, residensial, interior, bahkan proyek lapangan golf pun pernah digarapnya.
Pria keturunan Aceh dari 7 bersaudara ini dalam melakukan sesuatu lebih memilih mengikuti kemana air mengalir. Sebab, bila tidak mau mengikuti maka bisa tertinggal. “Dalam mengerjakan sesuatu harus dilakoni dengan tekun. Dengan ketekunan tersebut bikin apa saja pasti jadi,” kata Aan. Aan Oebit bersama istri tercinta juga menjalankan bisnis café dan resto. Di sela-sela kesibukannya mengelola perusahaan, Aan masih menyempatkan diri menikmati hobby naik motor gede dan bermain golf. Selain sebagai hobby, sekaligus sebagai ajang untuk menjalin relasi. ...for Complete here.

Interior 3D Rendering Architecture: Interior Design Quality For Sure

Interior 3D Rendering Architecture: Interior Design Quality For Sure. Effective interior design of any structure is the most impressive feature of any building project, be it a residential project or commercial building project. It’s the inner look that makes a difference between an ordinary and an extraordinary building design. Therefore interior 3d architectural rendering is becoming more and more popular in the architecture industry nowadays.

Now the most common question that must arise in anyone’s mind is: what is 3D interior design and what interior 3D architectural rendering can do? 3D interior design is a set of detailed architectural drawings of any building’s interior look. It gives a specific idea about building’s inner look, about how it will look when it gets completed. Talking about interior 3D architectural rendering, it is a part of 3D rendering which deals with performing accurate 3D interior design.

It can be of great use for builders, architects and engineers as it will make their job easier. What these professionals want is detailed information about proposed building’s architectural design and plans in minimum time.

Interior 3D architectural rendering does exactly the same. It contains following information:

• 3D interior design, 3D house interior plans
• Residential home interior design
• Office interior design
• Furniture interior rendering
• 3D architectural rendering, 3D interior rendering design
• Interior architectural rendering samples
• 3D kitchen design, 3D lighting rendering
• 3D floor plans, interior design plans and drawings

All these information are well expressed in interior 3D architectural rendering and it can prove to be an excellent option for achieving better success in short time. Also what makes it a more preferred option is that it is totally a computerized process. So if a time comes when you have to modify your architecture design and patterns, then it is quite easy to accomplish this task as it is completely digital.

So from above we can conclude that interior 3D architectural rendering is a very useful option for quality interior design for any building types such as residential, commercial and industrial buildings for sure.

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Modern Architecture and Interior Design at The Hotel Diagonal Barcelona

Modern Architecture and Interior Design at The Hotel Diagonal Barcelona. 

The Hotel Diagonal Barcelona has a modern architecture and interior design, it’s located in the immediate vicinity of Jean Nouvel‘s iconic Torre Agba. The project was completed by Capella Garcia Arquitectura, and July Capella Samper as responsible. The structure of the hotel is very modern and imaginative.  This 10-storey building has 240 rooms. In 2004, The Hotel Diagonal Barcelona inaugurated. The interior design features an integrated decorative and highly functional pergola-like solar panel structure. The hotel’s location is perfect for a meeting place/the Conference Centre, close to main access roads, ports and airports. Beautiful scenery will make a comfortable and pleasant atmosphere. Here description From Capella Garcia Arquitectura: “The building constitutes a longitudinal prism, forming a screen, with vertical corbels on the façade which stand out like white keys on a black background. The ground floor emulates a great aquarium, with independent sections for the various uses, beneath an undulating ceiling of circumferences. The ground floor is inspired by a great aquarium. A glass box houses all the necessary services in organic, free and independent volumes. The undulating ceiling with circumferences is the water surface, and on the floor, like coral reefs, anemones, rocks and sea-shells… lie submerged a series of sections housing the reception area –depicting a sunken boat-: the vertical communications hub –depicting a coral reef; the toilets, bar area, etc. Each of these volumes is coated in different materials: copper, wood, glass mosaic, boulders, and adopts sinuous forms enveloping and containing the great pillars supporting the building.’

...for Complete here.

Charming Apartment Railing Interior Design Architecture

Charming Apartment Railing Interior Design Architecture. 

Designed by architect Daniel Gertrude which the interior design studio located in Busto Arsizio, this charming railing interior design is an apartment renovation result with 60 square meters floor plan. The interior design context is an old house railing design with great historical landscape architecture of “significant public interest” in heart of Porta Ticinese, Milan, Italy.

Interior design concept which offered by Daniel Gertrude architect is small and functional interior design. Charming apartment interior picture that you see in this article actually has complex small room with accessible by several yards. In deference to its history – explains architect Gertrude – the internal typological division has been maintained, but they tried to give the flat a unifying and contemporary.

The architecture apartment interior design objective has been achieved through careful furnishings selection and finishes with teak floor, while the wall has opted for a light gray. The table Vidun De Padova which reigns at the center of the main, can be adjusted in height. In the various rooms, there are the Vitra Panton chairs in the living room while the sitting area is bordered by large sofa bed in black vinyl.

At the entrance, beneath the black and white photographs of Andrea Martiradonna, stands the Brompton folding bike, a masterpiece of British design ideal for moving in the chaotic traffic in Milan

...for Complete here.

Fulfill Your Interior Design Needs through Architectural Rendering

Fulfill Your Interior Design Needs through Architectural Rendering. At the dawn of civilization, human beings used to live in the dark caves and small huts. Our forefathers lived happily in small huts made out of mud and paddy tree. With growing affluence and the advent of advanced technology and science, people are increasingly seeking a holistic living experience. And, in this regard, your best bet is an architecture and interior design firm who can provide architectural rendering and CAD drawing services.

Interior design consultants can get you the right kind of interior design that matches your requirements. House interior design has to be carefully chalked out and deftly executed. Architecture interior designers can define out interiors that reflect your personality and complement your lifestyle. Of course you want an interior design that constantly rejuvenates you, isn’t it? Your taste, your ideas, and your attitudes should all be integrated into the interior design of your house in order to create the impact that you want and deserve.

Commercial interior design has a lot of components, beginning from the lighting to the color shades, the interior contours that result from the arrangement of different objects in your rooms, etc. Building interior design is primarily founded on the type of building material that you want in your interiors. You can choose a wooden finish or may fancy a granite/gravel finish. Besides, you have wide ranging choices of synthetic building interior finishes for your housing interior design.

Modern interior design puts more emphasis in interior lighting. A novel approach in interior architecture is using the different tones of the natural light reflecting in your interiors. How about having a crimson tinge during dawn and dusk, while the stars twinkle with your night gaze? An experienced interior design firm can help achieve this perfectly. In other situations, the lighting can be suited in tone and intensity according to the activity that the room is intended to perform. Therefore, take the services of interior design consultants who can deploy the latest in lighting techniques to accentuate every part f your room and exalt you every moment.

The next in the line up is color. With computer generated mix of colors, the interior design of your building could incorporate wonderful shades beyond the basic red, green, and blue. Architecture interior designers can match the colors shades according to scientific principles which can have a wonderful impact on the quality of your life. With the help of 3D modeling and architectural rendering services you can preview how the design is going to look like much before it is actually done. Housing interior design can be patterned in a rich mix of colors and hues with differing tones to even create a naturalistic environment indoors. ...for Complete here.

Arteriors Architecture: a modern house architect & residential design studio We Create Art to Live In

Arteriors Architecture: a modern house architect & residential design studio
We Create Art to Live In. Our residential architects and house designers create acclaimed modern house design, home interiors, kitchen designs, lighting and residential landscape architecture across the United States.
From our home architecture studios in San Francisco, California and Minneapolis, Minnesota, modern house design architect, Tim Bjella, leads our creative staff of residential architects and interior designers, crafting signature custom home design. We specialize in creating unique, house architect designed custom homes, architectural remodelings, renovations and modern residential interiors for people with an eye for contemporary house architecture and a desire to stand apart from the crowd.
As house architects and residential designers, we believe a thoughtful, contemporary custom home design is more than the sum of its parts: it transcends the wood, brick and stone of its construction to stir our emotions and enrich our lives. Just as a great work of art moves you, so should your custom home design. The shaft of sunlight that filters through the trellis to warm you on the window seat should not be a lucky accident; nor should the cozy space that cuddles you while watching a movie; or the kitchen that seems to anticipate your every need; or the sunrise that peeks into your shower, welcoming the new day. These amenities, and more, should all be carefully planned into your home plans by your house architect and residential designer. More than just modern house architects: we create art to live in. More...

What type of custom homes do our residential architects and house designers create?
Our residential architects and house designers fashion uniquely modern, custom home plans for large or small houses, new houses or remodeling anywhere you wish to live: mountain lodges, southern desert villas, urban architect lofts or country cottages. Our house architects create beach houses, midwest prairie homes, lake cabins, log homes, suburban mansion estates and everything in between. Stylistically, our architect designed custom homes range from High-tech ultra modern houses to old-world European. Some are rustic mountain timber frame or contemporary craftsman with a hint of shinto shrine. Some are modern architect eco green or traditional, classically inspired mediterranean. While many of our custom home designs are eclectic and defy categorization. The architectural character, or 'style', of each custom home is unique because each house is a distinct, architect response to climate, views, topography, site context, functional program and the aesthetic sensibilities of our clients infused with our own architectural vision.

Why is our modern house design art to live in?
Our modern house design architecture is conceived in three dimensions and is not merely an extrusion of two-dimensional floor plans with a roof placed on top. Equal care is given to the three dimensional spatial form, sensory detail and functional floor plans. We sculpt spaces, accentuate them with light, and adorn their surfaces with sensuous materials. In this way, we create romantic, dramatic, and emotive modern houses. Enduring, classical architectural principles create a framework for our modern house design, yet we do not limit ourselves to any one historical architectural ‘style’. Our modern houses are grounded in history but are always fresh, contemporary architect interpretations designed for today. We like to think of it as modern house design with character. More...

Why do you need a unique modern house architect?
Quite simply, because you are unique. We thrive on creating signature, architect designed, modern houses for singular people. Each of our custom homes is an exclusive work of art with captivating modern interior spaces, exceptional kitchen designs, and functional contemporary floor plans. We achieve this by designing every aspect of the house architecture from inside to outside: harmoniously merging the exteriors, interiors, lighting and landscapes. This holistic approach to custom home architect and designer services culminates in extraordinarily unified houses that are published in prominent architecture magazines - Architectural Digest, Better Homes and Gardens, House Trends International, Residential Architect and Great American Kitchens, to name a few. ...for Complete here.

The Gaps Between Interior Design and Architecture

The Gaps Between Interior Design and Architecture. “ ‘Imaginary’ universes are so much more beautiful than this
stupidly constructed ‘real’ one,” wrote English mathematician
G. H. Hardy, more than 60 years ago.

Hardy was acknowledging the messy business of figuring out the complexity of the world we think we know and live in with the world we don’t fully understand; a world of abstraction involved with the interrelationships of particle theory as the smallest component and seemingly ordered system of the cosmos. The dilemma of modern physics and the more disputed concepts of contemporary metaphysics in explaining our world is, in many ways, similar to the confusion between the terms interior design and interior architecture. Both imply the act of designing within either a building or a space and have been adopted to differentiate unique foci of work of the interior environment. But the free use of the terms and the casual interchangeability of them by both professionals and academics establish a confused state that creates ambivalence in the conceptual framework of this specialized design focus. This is a between and in-between situation producing a disparity of clearly defined roles and services for the comprehensive design of an interior environment; a complexity of space, human experiences, and comfort.

A critical need in both architecture and interior design is to realize that their roles, methodologies, and service expectations are continually evolving within a shifting social, economic, and political culture. As such, a professional stature develops within a dynamic state of examination and critical re-examination related to a professional culture, economic system, and contemporary social value system. This specialized status of professionalism is buttressed by an intellectual rigor and continual evaluation of its theory and process. Equally important is the fundamental requirement of ongoing examination to facilitate interrelated participants in a setting conducive to sharing and clarifying current issues that impact all design related professions and professionals dedicated to the environments that exist within and around the building shell and the particular architectural condition.

Traditionally, the disciplines of architecture and interior design view themselves as distinctive and singular; being both boundary-tied by professional legislation as well as seeing themselves as offering specialized service roles. This is reinforced by a protective “turf mentality” advanced and guarded by their respective professional and licensure organizations. While the line between services appears simplistically clear to the public—architecture is about mostly the outside of buildings, interior design directs itself to the inside—the complexity of an in-between ‘interior architecture’ obscures this view. What should be clear (and is to a small number of professionals, academics, and journalists) is there is a new set of circumstances in contemporary society that demands a shift in thinking: new problems require new approaches for creative solutions.

If we understand that the goal of design is to make our world better, disciplinary boundaries melt away and territorial squabbling dissolves. What emerges is a common core of design knowledge and a design methodology of problem solving geared toward analytical (problem definition) and outcome processes (problem solving) connected to human and environmental needs. This core is layered with communication skills sets that are both particular to individual design disciplines and shared between them. This common language provides for the transfer of abstract conceptual thought (and symbolic content) to a practical and applied language understood by practitioners and /or by the public on several levels. Legitimacy for each discipline is then validated on understanding of the broader parameters and the specific use-needs to be served. Architecture, interior architecture and interior design are now subsets together with graphic, industrial, landscape design, and so on—of an activity focused to solving problems for individuals and their collective societies to house, enhance, and prepare for a better future.

But the need for clarity on what differentiates interior design from interior architecture is a critical question to avoid confusion and misrepresentation in professional roles and academic curricula structures. Most importantly, this issue needs to be grounded in a forum to bring moral legitimacy to these design activities in separating their use from a serious, well guided use linked to finding optimal design solutions from a consumer marketing objective removed from the actual concept or service to be purchased.

The Question

Questions of shared and distinct content as well as professional services between interior architecture and interior design have received only minimal discussion. Often the term Interior Architecture is applied in a descriptive language in which the architectural design or architectural language is seen as a continuation or an extension of the exterior architecture to the inside of the structure in terms of detail, scale/proportion, spatial sequence and other such architectural components. Often, “an interior architecture” is applied to the inside of a building as design elements are carried to the exterior, distinguishing a “holistic creation.” (Kurtich and Eakin, 1993) Many interior design profession organizations and a number of academics are occupied with developing a pure definition of interior design as a professional discipline structured on its own unique “body of knowledge” to distinguish interior design from other design professionals and practice. This position emerges as disconnected from a greater and more urgent need to critically examine a theoretical context linked to the culture of environmental design professionalism (architectural, interior design, landscape, etc. design professions). The term Interior Architecture must have an ensuing dialogue to secure an understood set of parameters equally applied in professional practice and within the academic setting.

Interior Architecture/ Interior Design

Different and often subtle conceptual constructs have emerged as conditional parameters to differentiate interior architecture from interior design. This involves architecture as being concerned with more than a mere building of practical and economical needs, and more than a mere structure of enclosure systems. Architecture as a discipline has always been engaged in the struggle to raise human and spiritual meaning to a higher purpose and a meaningful focus for at least three millenniums. An architectural structure is an expression of cultural principles and deliberate design choices based on current technology and understandings—its meaning. This is the essence of all architecture. These ideals are accomplished in the design process through a language of reduction. It is achieved through narrowing abstract notions of ideas and symbols or program to compose a unity of form, space, detail, materials, etc. in order to achieve a Vitruviius’ dicta of firmness, commodity, and delight. Interior architecture is never removed from the architectural condition, and this reductionist ideal or a reductionism conceptual base. An interior architecture manifests itself as the meaning imbedded within the building inside as well as out, and as such must be housed within the practice of architecture and professional architectural services.

In addition, an interior architectural product is placed within the business of architectural practice. This is more than designing the outside condition along with interior components; it involves the contractual agreement of design services encompassing interior elements equally with shell and site conditions associated in building design. Consider the turn-of-the-19th-century architectural practice of California architects Greene and Greene. The 1909 Gamble house serves as good illustration. Better known for its interiors with its expression of peg and plank detail inside and out and the sensitive use of materials, the interiors are often presented as a large residential cabinetwork with fine wood details and articulated connections. An understanding of their professional practice displays an architecture/interior architecture fully realized as an agreement between designer and client. The open plan extends outward to porches and landscape. The fine and initiate detail has the same character in and out; all aspects of the design are brought together as a result of Greene and Greene’s coordinated control of each element.

In contrast, interior design is grounded in the condition of additive assemblies and separate contracted services. While the design processes of architecture and interior design share the same procedural sequence and a core discipline vocabulary, interior design, both as a discipline and in its product, is (or can be) free of the weight of the architecture. Additive assemblies within the ‘interior’ may establish an independent language, often very different and removed from the architecture that houses it. Materials, finishes, details, stylistic motifs, architectural elements, and spaces may be free from the architectural language of the building. Both the work of interior architecture and interior design carry the ethical and legal responsibility of health, safety, and welfare as well as special needs and sustainability. But tenant or retail space development in a shopping mall or mixed-use complex, for example, almost never engages the surrounding architecture, and is intentionally conceptually and contractually removed from the building shell.

Several precedents help further illustrate these conceptual parameters of interior architecture and interior design. Louis Kahn’s Yale Center for British Art and British Studies of 1969 typifies a beautiful balance between the exterior and interior. Kahn’s work exhibits a high level of accomplishment of interior architectural work in form, materials, and space. The concrete structural frame is in-fill with stainless steel on the exterior and white oak within the gallery spaces. The exterior is understated in fronting the hard-edged commercial street on the edge of Yale’s campus. But the interior softens because of the natural oak panels detailed to recall the concrete structure but not focusing on it. The interior is bathed in natural light fed by specially designed skylights in the roof which extend two and three story public spaces. This is interior architecture at its best; the interior materials, assemblies, proportioned spaces and lighting all are choreographed to reflect an inward architectural program and manage to minimize the urban context.

Thematically shifting to the unlikely interior design projects of Adolf Loos, a clear interior design approach can be observed. Loos’ elaborate interior work, particularly before his 1910 Stiener House, such as the Karntner Bar (American Bar) 1907, Manz bookstore, and Knize clothing store of 1909, display his classical understanding and ability to craft an interior design solution removed from the architectural shell. Loos added elements to the architectural shell, removing the engagement of the architectural vocabulary from the design of the interiors. Even though Loos, as Reyner Banham notes, acknowledges his belief in an “undecorated style” his interior work in many ways references an admiration of Karl Friedrich Schinkel and his work.

In Schinkel’s Schoss Charlottenhof (1824 –29), the Tent Room (after 1830) was set up originally as a kind of stage set for ladies-in-waiting and appears as a seemingly decorative approach to finishing an interior space. However, as Schinkel would have it, the Tent Room is an individually designed space structurally tied to 18th-century Prussian austerity and high culture but removed from the formal neo-classical compositional language imbedded within both the architectural shell, landscaping, and the interior architecture of the plan and the furnishing in other adjacent spaces. Schinkel’s Charlottenhof represents a masterfully unified composition, shifting from a coherent formal language between landscape, architecture, and interior architecture to the finite interior design solution of the Tent Room. The Tent Room conceptually and in application denies the existence of the building and the interior architecture of the adjacent spaces.

The connection between Loos and Schinkel is important in considering the conflict for Loos given his Please see next pagepolemic stance between adding interior elements to the inside of architecture as an appliqué without a formal connection to the exterior. But while the Tent Room at Charlottenhof is an interior design approach in additive assemblies—the ‘tent’ structures over the beds for example—Loos understood (and we should) Schinkel’s ability to distilled neo-Classical geometry, pattern, and detail equally on the exterior and on the interior and yet independently add elements free from the building shell. Thus, one can witness in Charlottenhof the unity between the inside and the outside while keeping the architectural language separate from the interior of the Tent Room. Charlottenhof represents a duality; interior architecture at one level acknowledging the interior program and a highly articulated interior design solution with the design treatment of the Tent Room.

Articulating the conceptual relationship of interior architecture and interior design idea may appear overly complex as a reduction/additive thought process , but it is this foundational or conceptual relationship of using the architectural language of reduction to define interior architectural ideals and the additive assembling concepts to distinguish interior design. The point is that from a conceptual position through the completed project, interior architecture requires the architecture to be acknowledged, embraced and used. An interior design work is free to subvert the architecture and the architectural condition. Interior design may or may not acknowledge the architecture that provides the enclosure system; it is a process that operates on several levels and in collaboration with many disciplines. The legitimacy of interior design as a profession or discipline is not in question when understanding the broad and specific needs of facilitating our contemporary society in the built environment, inside and out.
—Henry Hildebrandt

Hildebrandt is associate director of undergraduate programs within the School of Architecture and Interior Design in the College of Design, Architecture and Planning at the University of Cincinnati. He has been a faculty member since 1986. In the 2003 Almanac of Architecture & Design/DesignIntelligence
annual practitioners’ survey of which schools best prepare students for professional practice, the University of Cincinnati again ranked no. 1 for interiors programs, a position the school has held for the past five years. Hildebrandt last wrote for DesignIntelligence in November 2003. ...for Complete here.

School of Architecture and Interior Design

School of Architecture and Interior Design The School of Architecture and Interior Design at the University of Cincinnati prepares students for critical engagement with practice. This critical engagement presupposes sustained evaluation of principles, traditions, and requirements of building in all its aspects, interior and exterior. Our goal is to advance the professions of architecture and interior design by combining ethical judgment and technical proficiency in pursuit of excellence, whether the product of our expertise is a physical or intellectual construction.

In view of constantly changing conditions for practice, our program seeks to multiply insights and abilities in every student - sensitivity to the aesthetic and social responsibilities of environmental intervention; the life-long cultivation of a broad, synthesizing, and humanistic world view; respect for the benefits of research and innovation; deepened commitment to specific lines of inquiry; an advanced understanding of the culture of practice; readiness for professional responsibilities; design acumen, advanced graphic skills and technical vocabulary; affection for risk; and love of play.
Undergraduate degrees are offered in Architecture and Interior Design. Master of Architecture and Master of Science in Architecture degrees are offered at the graduate level. ...for Complete here.

Interior architecture

Interior architecture. Interior Architecture (Latin penitus architectura, from the Greek εσωτερικός - esoterikos "interior" and ἀρχιτέκτων – arkhitekton "chief builder, carpenter, or mason") is truly a marriage of three distinct design disciplines: interior design, architecture, and industrial design. Interior design focuses on the selection of interior materials, finishes, and furnishings; architecture on the design of building forms and systems; and industrial design on the design of manufactured products.[2] Another definition is the specific features of a building's interior. It can also be the initial design and plan for use, the later redesign to accommodate a changed purpose, or a significantly revised design for adaptive reuse of the building shell.[3] The latter is often part of sustainable architecture practices, conserving resources through 'recycling' a structure by adaptive redesign. Generally referred to as the spatial art of environmental design, form and practice, interior architecture is the process through which the interiors of buildings are designed, concerned with all aspects of the human uses of structural spaces.
Interior architecture can refer to:
The art and science of designing and erecting building interiors and related physical features.
The practice of an interior architect, where architecture means to offer or render professional services in connection with the design and construction of a building's interior that has as its principal purpose human occupancy or use.[4]
A general term to describe building interiors and related physical features.
A style or method of design and construction of building interiors and related physical features. ...for Complete here.